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In January I participated in the #bosscritt January 2021 Daily Practice Project, a in invitation to engage in your art practice every day in January 2021.
My initial goal was to draw in my sketchbook every day. I did this for three days, and then lost motivation. The project was open-ended, though, and could take any form. Some days that meant I drew, other days it meant I took photographs, and some days it meant cooking or baking bread! We also met virtually as a group to share our work and share feedback. The project will result in an collaborate exhibition of the resulting work. Click the hashtag below to check out the project (and stay tuned for more info on an upcoming collaboration with the participating artists)! #bosscrittdailyjanuary à la ligne, string and thread on denim, stained with fabric dye and bleach, 10 x 8 inches This semester I tried some new ways of working. The piece above was created for an assignment I had early in the semester. Our assignment was to create a painting inspired by a piece of art that we don't like. I first fell in love with painting when I saw impressionist paintings in high school, but have always disliked Renior. His chalky pastel palette is off-putting and his forms often lack definition. They're so etherial, like they're made of someone's hot breath. But the assignment intrigued me. I started looking at his paintings online and came across the painting Le pêcheur à la ligne. I was drawn to the phthelo green + beige color palette and marks he used, so decided to try and reproduce those elements of the piece, minus the subject matter. The first thing I did was turn the reproduction of the painting upside down as a way to isolate the colors and marks. Working from "back to front," I poured fabric dye on a canvas of stitched jeans that I had made earlier. Then I added some bleach to the dye. I worked back and forth until I created a "stain" to work on top of. Then I began adding lime green stitches to the denim using my sewing machine and drawing with a royal blue marker to describe some of the forms I observed, like the flittering leaves of the vegetation. Then, for several hours, I continued layering machine stitches, hand embroidery, and loose threads to the surface until the image felt resolved. I really enjoyed the assignment. It was a practice in empathy. I learned to appreciate the technique of someone's work who I usually have a negative reaction to. It was a little like being locked in a room with an enemy and being forced to find common ground. Left: A Piece of Me, A Piece of You, acrylic, spray paint, oil pastels, string and thread on sewn canvas and repurposed clothing, 18 x 22 inches Right: Love Quote, repurposed clothing and mesh on sewn canvas, stained with fabric dye, and oil on pre-primed canvas, 22 x 18 inches I continued experimenting with mark-making throughout the semester. Above are two different examples of experiments in mark-making that I tried. On the left, I layered a lot of different colored sewing machine stitches on top of paint, spray-paint, and oil pastel until the colors began to blend together. This caused the canvas to warp and buckle. I had seen this technique several years ago in a video of Rebecca Ringquist explaining her process and knew that I wanted to try it at some point. On the left, I created individual marks with the machine, dispersing them across the canvas. To me, they start to resemble letters or characters from an alphabet. Detail of A Piece of Me, A Piece of You To see more of the work I made this semester, click on the tabs pieced and painted and fabric paintings.
I'm excited to have been selected to participate in the Sloane Art Program. The program was established in 2005 as a collaborative effort between Dr. Beverly Brown and the College of Fine Arts. The Browns seek to promote the talent and depth of those enrolled at CFA through showcasing work by its Visual Arts School students. Throughout the academic year, the Browns host multiple events attended by various prestigious guests, each of whom gets a tour of the current artwork exhibited. The home functions, in a sense, as a high-end gallery for the university’s student artists each semester.
Join me for an artist talk on Thursday, November 19 at 12pm. Image: Working on Diamond IV in my studio. Red @ Cambridge Art Association
November 4-20, 2020 25 Lowell St., Cambridge, MA 02138 Opening Reception: Thursday, November 5, 6:30-7:30 on ZOOM For nearly 20 years, the Cambridge Art Association has hosted a fall exhibit, open to artists from the New England states, centered around a color--RED or BLUE, depending on the year. Both the success of the exhibit series, and the challenge to participating artists lies in channeling the varied meanings of a color like RED. It is the color of action, violence, heat. It is the color of luck, happiness, passion. Image: A Case of You, 2018, oil on canvas, 16 x 12 inches |
CurrentDrawing from Perception, Invention & Memory @ Stein Galleries
Jan. 16 - March 8, 2024 160 Creative Arts Center Wright State University Dayton, OH Gallery Hours: Tue/Thur 11-4pm Wed/Fri 12-4pm Sat 10-4pm Feast @ Mosesian Center for the Arts Jan. 26 - March 8, 2024 321 Arsenal Street Watertown, MA 02472 Gallery Hours: Wed. - Sat. 1-8pm Tag Cloud
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